I’ve been trying to figure out which of City Ballet’s spring performances to attend, and those withВ Everywhere We Go have shot to the top of my list. You’ll be able to see why, after watching.
The trailer was directed by Jody Lee Lipes, who also shot the film Ballet 422, about Peck’s process of choreographing the ballet Paz de la Jolla. That’s at the Tribeca Film Festival now, and I’m hoping to see it, if I can still get a ticket!
In the meantime, enjoy Everywhere We Go. My favorite part is around 1:15—the close-up of dancer Tiler Peck’s gorgeous feet.
I’ve watched several excerpts of the pas de deux via YouTube, and love the stripped-down quality of the movements and the tender interplay between the dancers. Simplicity is what makes the piece so stunning. It’s the kind of choreography I want to dance, myself.
I’ve been lucky to see three New York City Ballet performances this year (so far!), and in each, I’ve had the pleasure of watching Sara Mearns. The City Ballet principal is one of my favorites. Of course, she has the flawless technique that’s expected at her level. But Mearns has such a commanding presence that it’s hard to watch anyone else when she’s onstage. You can feel the passion and intensity she brings to each role.
That’s why I couldn’t help but smile when I read how she candidly described her relationship with ballet, in this NY Times article:
Not many people know what it feels like to be so in love with somethingвЂ”more than yourself, or more than anybody else. ItвЂ™s very scary at times, but itвЂ™s just what it is. Sometimes I donвЂ™t even know why IвЂ™m so passionate about what I do…I really donвЂ™t. ItвЂ™s kind of scary.
As a dancer (though obviously nowhere near her level!), I find her words so relatable. But I think they hold true, whether or not ballet is your passion. It is frightening to see what passion motivates us to do. But it’s also astounding to see what it can drive you to accomplish.
Of all the things I came across on the internet this week, this was by far my fave: the Tumblr “Ballet, Cats and Other Things” from New York City Ballet principals Wendy Whelan and Janie Taylor. (Both, whom I’m a huge fan of.) It’s basically the dancers’ arty iPhone snapshots of, well, ballet, cats and some other things. And you know how I feel about ballet and cats. (Is required that if you’re a dancer, you also love small, furry animals?)
As far as I’m concerned, the holiday season isn’t complete without seeing a performance of the Nutcracker. (Or, at least listening to the soundtrack a couple times in its entirety—something that’s driven my family mad over the years!)
Tonight, I’m seeing City Ballet’s production (with my mom :)). It’s been several years since I’ve seen their version, and I’m pretty excited—there’s nothing as inspiring as seeing the pros dance, live!
Recently, NYCB posted behind-the-scenes photos of their Nutcracker costumes on their Facebook page. I thought it was super-cool that they gave us normal folks (and professional dancer wannabes!) a little peek behind the curtains!
Yesterday, a friend sent me a link and said, “You might like this video.” That was a total understatement because I absolutely love, love, love it. I’m a big fan of Edward Sharpe and the Magnetic ZerosВ and I’ve been listening to their new album, “Here.” But I didn’t know they’d created such a brilliant video to go along with their gorgeous song, “Man on Fire.”
The lyrics are about the desire to dance, and the video, filmed in NYC, celebrates movement in various forms: dance, stepping, cheerleading, tumbling. I love how they’re mostly everyday New Yorkers doing their thing in school gyms, small studios and local sports fields. And (spoiler alert) I really loved the end where a dressed down City Ballet dances in a vacant lot.
Check it out (and watch it over and over–I already have):