A highlight of my week was seeing Alvin Ailey during their annual December run at City Center. Talk about inspiring. Whenever I see the company, I’m reminded of how my friend/former co-worker, Ted, once described them to me: “They’re like the dance gods.”
They really are. The beauty—and power—of professional dancers is how easy they make everything look. Every Ailey dancer has that ability to a ridiculous degree. Each of their moves is executed flawlessly, weightlessly and with incredible athleticism and grace. It’s hard not to be blown away during a performance.
On Sunday, I saw a program I was particularly looking forward to. It included Ronald K. Brown’s “Grace” (a contemporary/West African/hip-hop piece that astounded me the first time I saw it performed in Boston) and, of course, Ailey’s signature “Revelations.”В В But the piece I was most looking forward to was JiЕ™Г KyliГЎn’s “Petit Mort,” which ended up being my favorite. This contemporary ballet has amazing, sensual partnering, as well as some playful props—you can’t help but smile when the black dress forms roll onstage! I’d love to see it again, live, but for now, I’ll have to be content with looking at these photos and short trailer:
Have you seen Ailey perform? What’s your favorite piece in their rep?
(All photos via Alvin Ailey American Dance Theater’s Facebook page)
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